(Tatsugoyama Resident Shohei’s Kao New Year’s Day 1991 Tatsugoyama junin Masahira saku) Authentic Samurai Sword – 678



Blade length 68.15 cm
warp 1.65 cm
Moto haba / Width of the blade 30.5 mm
Motogasane / Thickness of the bottom part of the blade 6.3 mm
Saki Haba / Chip Width 20.7 mm
Sakigasane / Tick Nes of te bade 3.7 mm
Nail hole / mekugi ana
Age 2013 (Heisei 25)
The latter years of Heisei era
Appraisal report
Official Registration Document November 24, 2017 Fukushima Prefecture Official Registration Document
Included ・ Silver habaki
・ Black wax-coated sword fittings (Tensho sword)
Price / Cost 2,000,000 Yen(excluding tax and excluding shipping)

Shohei Fujiyasu was born in 1945 in Date District, Fukushima Prefecture. In 1966, he became a swordsmith in Sakaki Town, Nagano Prefecture, a late living national treasure, and Yukihira Miyairi.
In 1975, he opened a swordsmith in Tatsugoyama, Fukushima Prefecture and became independent. Since then, he has been studying and practicing swords, and received the Japan Art Sword Preservation Association Excellence Award 3 times, Encouragement Award 6 times, and Effort Award 7 times. In 1990, he received the Japan Art Sword Preservation Association Chairman’s Award. In 2014, he received the Kanyama Award from the Japan Art Sword Preservation Association.

Dedication training was carried out at many shrines such as Owari Atsuta Jingu and Nara Gokoku Shrine, and in 2008, Japanese sword dedication training was carried out at Hitachi Kashima Jingu for the first time in about 1,300 years since the sword was made by Sabi Daimaro in 704. Do.

In the fall of 1984, he also played a major role in the 61st annual relocation of Ise Jingu Shrine and the service of Mito Tachi swords, and made a great effort to support the reconstruction of Mito Shrine in Minamisoma, Fukushima Prefecture, which was severely damaged by the previous earthquake. He has served as a sacred treasure of straight swords, and most recently has one of the best sword-making techniques of modern Japanese sword masters, such as the restoration and training of large straight swords excavated from the Miyajitake Kofun in Fukuoka.

With a strong desire to reproduce old swords from the Heian and Kamakura eras, he has been engaged in research and training for many years, and has a wealth of knowledge and insights on national treasures, important cultural assets and similar swords, and swords and iron culture nationwide. , Wakizashi, Naginata, Ancient straight sword, etc., to create an accurate and beautiful sword figure. Boasting a wide range of production abilities with vivid ground iron and sword blades, he is also the best modern swordsmith in the central tailoring such as central swordsmiths and inscriptions. After his teacher Yukihira died, Miyairi Kozaemon Yukihira (Miyairi Megumi) ), And the fact that he trained as a disciple of swordsmiths also shows that his teacher has a great deal of confidence and his skill is high.

In recent years, he has also been engaged in research and restoration of swords from the Nara period, such as straight swords and hand halberds in the Nara Shosoin collection. It is no exaggeration to say.

Shohei Kudo, who is famous as a leading figure in reproducing old swords and also for training swords that cut iron. We have teamed up with Isao Machii, the owner of our shop, and are still working to make a true sword that is both practical and beautiful.

Kanbun in the early Edo period, when the appearance of shallow warpage was popular. Around this time, “Katana Dameshi”, which uses the corpse of a sinner to test the sword’s sharpness, was performed by leading swords of the time, such as Kaemon Yamano and Asaemon Yamada. Nagasone Kotetsu, who became popularly known as Toru’s stick warp, was also a swordsmith of this era, and the Kanbun new sword body was created by many people (trial), and is most suitable for both cutting and cutting. It can be said that it is a completed form.
Currently, people who like Iai want Japanese swords to warp like Japanese swords, and most people prefer six-quarter warp, but I affirm that the sword that is truly suitable for Iai and tameshigiri is the Kanbun new sword. You can do it.

This sword is one of the swords that was trained during the public training held at the Binko Residence in Fukushima Prefecture in 2015. It looks good as it warps, and it looks pale on the old-fashioned skin, and it is a work that skillfully baked the old-fashioned mutual nome cloves unique to Shohei, showing amazing changes and work in the blade. I am. It is a sword that has a lot of highlights, as it fits in well, shows a complicated landscape entwined with the ground iron in the blade, and has prominent sand streams and gold streaks.

The attached Tensho-buchi is a new item at our shop, and all of them are made of period metal fittings, and are luxuriously attached to the shark belly (single roll), and the handle roll is twisted with dark green cowhide to make a book. It is equipped with a serious handmade silver face.
The habaki is finished on the front and back so that the family crest can be engraved at the request of the purchaser. Since it is in an unsigned state, it is possible to engrave your favorite inscriptions such as possession inscriptions and gods before applying for registration in November.
Please fully enjoy the freshness of all the work, including the fine polishing for art ornamental use, and the high level of skill that can only be seen as an old sword even though it is a modern sword. The handheld balance is also the best.
* The photos shown are taken before the inscription.

Nude weight 645 grams. Weight 938 grams that was put in the sword and the sheath was removed.

We also accept split purchases with various credit cards and Cedyna Shopping Loans. Please feel free to tell us.